Episode seven in my series of “Photographic Moment” video tutorials. “Season of the Good Light” provides some practical tips on capturing the Ohio landscape in autumn, including white balance and ISO settings, shutter speed, aperture and composition. This video was shot on location in the tall grass prairie of Sugarcreek MetroPark.
I’m happy to announce my next full-day photography workshop, set for Saturday, November 21 2009 at Cox Arboretum MetroPark, just south of Dayton, Ohio. The primary topic of this program will be digital workflow for nature photography including image importing and editing using Apple Aperture, fine tuning and enhancements in Photoshop CS4, monochrome conversions using Nik Color Efex Pro and High Dynamic Range Photography using Photomatix. As of 10-6-09 there are already 10 people registered to attend. I limit my workshops to 20 attendees, so there are still 10 seats remaining, however, I expect these to fill within the next day or two. There will be another workshop this winter, most likely on a Saturday in late January or early February, so it’s always a good idea for those interested to submit their names and emails to my waiting list.
I’m happy to announce that one of my photographs has once again made the cover of Ohio State Parks Magazine. The most recent issue – fall/winter 2009 – features an image I captured while in Hocking Hills State Park during a weekend in early November. I was there with my two favorite fellow sojourners when venturing out to the woodlands and hollows of Hocking, my daughters Emma and Chloe. Over the last five years this is the fourth issue one of my photographs was selected for the cover of Ohio State Parks.
With all the emphasis currently on our system of National Parks, thanks to another exceptional series airing on PBS by Ken Burns, it’s easy to overlook the beauty and the gifts offered through our local and state parks. I’ve visited and photographed many National Parks, including Great Smoky, Grand Teton, Glacier, Zion, Capital Reef, Bryce, Arches, Canyonlands and Rocky Mountain. All of these strikingly beautiful parks present natural scenery that is beyond breathtaking, there’s no doubt. However, it’s the local, visual treasures found here in my home state of Ohio where my creative spirit and nature-loving soul feels the most at home. Especially Hocking Hills. That’s where my love for nature and landscape photography first took flight during a winter hike with the nature photography club from the Dayton Museum of Natural History (now Boonshoft), so long ago when I was 13 years old.
The State Parks in Ohio are now under a considerable amount of pressure to reduce services and cut costs. It’s a shame. If our National Parks are truly “America’s best idea,” (did you know that Ohio has a National Park ? It’s Cuyahoga, between Cleveland and Akron) then state and local parks and natural areas are the second best idea. In some ways these smaller versions of their big cousins are even more important to protect and preserve due to the fact that they represent places where most people make “first contact” with the beauty and wonder of nature. I’ve always said that the City of Dayton’s best recreational asset is the Five Rivers MetroParks. Considering the shrinking population and economic base in the Dayton area, we are VERY fortunate to have a relatively large number of local parks which are easily accessible, well-managed and each in their own way, provide the essential connection to the healing powers of our natural environment.
In presenting my first, full-day workshop on nature photography, yesterday at Cox Arboretum, the topic that generated the most interest was my work with high dynamic range photography. This slide presentation was created from the images I used at the workshop to illustrate this particular creative technique with digital photography. I like to emphasize that HDR photography – the merging of two or more exposures of the same scene – is NOT digitally adding or altering the image. It simply brings forth a much greater tonal range amongst the existing elements within the photograph. The trick is not to be too “heavy handed” when applying the various settings for gamma, white point, luminosity, etc. when using the tonal adjustment tool.
The September 26 workshop at Cox Arboretum in Dayton went very well, despite it being my first time presenting a full-day program. I limited the attendees to just over 20 people. This was a good, manageable group. I will be presenting another full-day program on a Saturday this January, at which time I will probably concentrate more on digital workflow using Apple Aperture and various digital techniques using both Photoshop and Photomatix.
This past week I had the opportunity to visit Visceral Gallery here in Centerville. The gallery owner – Francine Riley – has done an excellent job in establishing a true, artistic presence and experience in the middle of Centerville’s “historic district.” Visceral reminds me of the galleries I’ve visited in many resort towns out west and the heavily traveled, high dollar tourist towns down south. The emphasis is where it should be – on the art. The space within is warm and welcoming, encouraging visitors to linger. The lighting is exceptional with lots of attention to detail. It was obvious to me that Francine had a professional education and training in both the craft of presentation as well as in the business of selling fine art. I wish her well.
Currently Visceral is hosting a invitation-only, juried exhibition titled “Colored Restrained.” The emphasis is on black and white presentation in a variety of mediums, both 2-D and 3-D. The show is impressive with some very strong talent on display.
A 16″x24″ print of one of my recent works in monochrome conversions of high dynamic range photographs was selected for the “Color Restrained” show at Visceral. The piece – titled “Hidden Treasure” – is a macro photograph of a closed Queen Anne’s Lace in Sugarcreek MetroPark.
My most recent release via the Blurb.com bookstore – “Renewal,” featuring spring photography of landscapes in both Hocking Hills State Park of Ohio and Great Smoky Mountain National Park in Tennessee. This volume is available in both softcover and hardcover formats as an 8″x10″ coffee-table style book, perfect for office lobbies or home. In addition to presenting stunning nature and landscape photographs from these scenic areas of Appalachia the book also includes an introspective essay titled “Life’s Lessons Learned on the Trail to Ramsay Cascade.” This was an article I drafted shortly after my May excursion to The Smokies and provides some insight on how life experiences are often paralleled in the most simple journeys through the natural landscape. The price for the soft-cover version is $29.95, not including shipping.
I’m also pleased to announce the first issue of what I hope to become a regular series of self-published magazines, titled “The Poet’s Eye.” This 24-page, 8.5×11 publication includes a brief introduction about the work presented and select images representing a particular subject, location or photographic technique. This, the first issue, features my recent work with converting high dynamic range photographs to monochrome – black and white – fine art images. The cost per issue is $7.84.
If you’re a regular user of Facebook there is a group page for Jim Crotty Photography. I often post new images and information regarding published images, commercial photography assignments and my photography workshops to this interactive group page which also allows followers to post their information and comments. Check it out.
Fine Art – Stock – Commercial – Portrait – Workshops