Category Archives: Creative Vision

A Visual Celebration of the End of Summer

While most people celebrate the end of summer with back to school and Labor Day activities, I prefer to take notice of the turning of the season, a turning toward what I like to call the “good light.” Softening sunlight and lengthening shadows and fields that turn to gold. This is the nature photographer’s best season when capturing images of the Ohio landscape. It’s also the primary reason I’ve scheduled my first, full-day photography workshop for the weekend of September 26th.

The End of Summer on the Ohio Landscape by Jim Crotty
The End of Summer on the Ohio Landscape by Jim Crotty

It is also with some melancholy that I say farewell to the summer of 2009. Back in May I made a goal of making this past summer one full of positive experiences from the limited time I have available to spend with my daughters, Emma, age 10, and Chloe, age nine. Making this my goal was in response of regretting not doing such during the summer of 2008. You see I am a single, divorced dad of two very special little girls. During the school year they live with their mother in Texas. Emma and Chloe are my everything, and I’ve made it no secret that there is NOTHING for me in Ohio that comes close to being worth the pain I go through when I have to say goodbye and put them on that American Airlines flight back to Texas.

I mean it – NOTHING, especially Dayton. I don’t think I need to explain that point further for most regular readers of this blog.

I succeeded in accomplishing my goal for this past summer, so much so that the pain of the goodbye (at least for me) was as sharp and searing as it has ever been.

And it’s with that emotion of love and commitment to my children that I present the following video and images, most of which were taken during my daughter’s last week with me in mid-August and going through the lonely days following to the beginning of September.

The visual artist creates what is discovered in the light from that which is felt within.

Photography by Jim Crotty : Four Image Poster Print Storefront

Photography by Jim Crotty : FourImagePosterPrints

The rule of four. Selecting just four photographs that best represent my artistic vision of a particular location. That’s what I had in mind in the creation of four image poster prints. Fine art nature and landscape photography that I’ve taken in locations such as Dayton, Hocking Hills, New Mexico, The Smokies and more.

Each of these four image poster prints are now available for online purchase on my Imagekind storefront. Customers are presented a variety of options including print size, frames and paper. Imagekind does an exceptional job in both print quality and packaging (see YouTube video with this post), and the prices are VERY reasonable.

I’ll be adding even more selections to the four image poster print storefront in the weeks to come, including my photography of Zion and Glacier National Parks.

Jim Crotty presents four image poster print of Great Smoky Mountain National Park
Jim Crotty presents four image poster print of Great Smoky Mountain National Park
Ohio Photographer Jim Crotty presents Sugarcreek Four Image Poster Print
Ohio Photographer Jim Crotty presents Sugarcreek Four Image Poster Print
Dayton Photographer Jim Crotty presents Seasons of Ohio
Dayton Photographer Jim Crotty presents Seasons of Ohio
New Mexico Four Image Poster Print by Ohio Photographer Jim Crotty
New Mexico Four Image Poster Print by Ohio Photographer Jim Crotty
Landscape Photography by Jim Crotty of the South Carolina Lowcountry
Landscape Photography by Jim Crotty of the South Carolina Lowcountry
Photographer Jim Crotty The Inn at Cedar Falls
Photographer Jim Crotty The Inn at Cedar Falls
Gettysburg Four Image Poster Print by Ohio Photographer Jim Crotty
Gettysburg Four Image Poster Print by Ohio Photographer Jim Crotty
Dayton Four Image Poster Print by Jim Crotty
Dayton Four Image Poster Print by Jim Crotty

Outdoor Photographer August 2009 Issue Best Yet

Over the years I think I’ve subscribed to nearly all of major photography magazines. You name it, I’ve read it. Many photography publications are directed strictly toward the average hobbyist market, relying heavily on advertising from the big retailers that sell just about any type of photo gear you can imagine.

There are other photography magazines directed strictly toward the professional photographer. These are the publications with impressive portfolios and practical information on everything from studio lighting to optimal digital workflow.

There’s one photography magazine that has been able to consistently offer editorial content that is suited for both advanced hobbyist and professional shooter, particularly those who enjoy nature and landscape photography. Outdoor Photographer is that magazine, and this month’s issue is the best yet. It is timely that the August 2009 issue came to my attention now because it will serve as an excellent reference resource for my upcoming, full-day photography workshops on nature and landscape photography, the first of which is scheduled for September 26, 2009 at Cox Arboretum here in Dayton (it filled-up quite some time ago, but I will be doing another one this winter).

The articles that I found to be most interesting were “Get 4×5 Quality with a DSLR,” by Dennis Frates; “Get Into the Stock Market,” by Art Wolfe (thanks Art for introducing me to PhotoShelter back at the NANPA Summit in Albuquerque); “The Zone System Revisited,” by Ken Rockwell; “Making Your Best Black-And-White,” by Richard Lopinto; and “The Big Trip,” by Mark Edward Harris.

This why Outdoor Photographer is one of those magazines that I actually take the time to read from cover to back. It always deliver, especially if you are a photographer who is constantly seeking new information and ways to improve your craft, and who isn’t ? The constant learning process is what makes photography so much fun, whether you’re just starting out or an established professional.

The following images aren’t directly related to this blog entry other than they were taken by a “photographer” (me) and “outdoors.” Plus I thought it would be fun just to post them and provide a little variety. The landscape images were captured on the evening of July 16, 2006 from Dead Horse Point near Moab, Utah, overlooking Canyonlands National Park. Something kind of cool happened to me when I was out there photographing the scenes and the sunset that evening. Can’t quite explain it, but I think it comes through with the images.

The skyline shot is of Cincinnati during the 2006 Tall Stacks Festival.

Sunset from Dead Horse Point Utah by Jim Crotty

Colorado River from Dead Horse Point by Jim Crotty

Canyonlands National Park from Dead Horse Point by Jim Crotty

Tall Stacks Cincinnati 2006 by Jim Crotty

Again, back to black and white photography

I keep finding myself returning to monochrome – aka black and white – photography, particularly when converting from original digital files that are high dynamic range. My favorite digital tools for crafting these images includes Apple Aperture and the Nik plug-ins. When completed with care and attention to detail, the fine art black and white photograph should evoke a viewer reaction reminiscent of the works of the early masters, particularly Weston and Adams. I’m not sure if I will ever achieve work of that caliber, but it’s sure fun to try.

A Tale of Two Mornings

From the back deck of my home I have a wonderful vantage point of the eastern horizon, perfect for capturing sunrises during the summer. Still my all-time, personal favorite location for dawn and sunrise photography is the hilltop behind the Inn at Cedar Falls in Hocking Hills. My back deck in Centerville is a good subsitute when I’m not there at the Inn in what I and others like to refer to as a “sacred place.”

Sunrise for landscape photography is a pure pleasure that I relish in. The peaceful beauty can not be matched. It’s God’s way of saying to us “here, another blessing of a new day, to start again, to renew.”

The following two images were captured in the cool stillness of dawn on the early morning of Monday, August 3d, 2009. I was well up before the light began in the eastern sky. I was greeted with the sight of Sirius (the brightest star in the sky) following my old friend of winter – Orion. The first harbinger of the cooler, golden days of autumn has arrived.

Photographer Jim Crotty captures the pre-dawn sky
Photographer Jim Crotty captures the pre-dawn sky
Sunflower Photograph by Dayton Photographer Jim Crotty
Sunflower Photograph by Dayton Photographer Jim Crotty

And then again what a difference a day makes. Pre-dawn this morning, August 4, 2009 and I’m awakened by the most spectacular show of lightening and sound of thunder seen yet this year. From the covered safety of my kitchen window I set-up my Canon 1D Mark III with a Canon 28-70mm f.2.8 lens on the tripod and fired 30-second exposure after 30-second exposure, hoping to capture just the right lightening strike. The following image came closest to what I had in mind –

Lightening Photograph by Dayton Ohio Photographer Jim Crotty on August 4 2009
Lightening Photograph by Dayton Ohio Photographer Jim Crotty on August 4 2009

Here again I’m reinforced with the belief that the artist captures best that which is closest to home, and oftentimes the most striking of nature and landscape photographs result from the subtle and oftentimes overlooked beauty that lies just out the front or back doors. This coming Saturday, August 8th, I will be presenting more images and talking about how the best photographs can be obtained just outside in one’s backyard at Dayton’s Wegerzyn Gardens. This is a one and half hour program on the basics of nature photography, being offered free to the public through Five Rivers MetroParks. It’s also a follow-up to the same program I presented to about 40 people at Wegerzyn on July 11th. The problem is that since then an article ran in the Dayton Daily News (with the headline error of “Local Artist to Present Free Workshops” – Five Rivers does; Jim Crotty does not), along with the fact that my number was given to register versus that of the Park office, my phone has been ringing off the hook. I’m estimating the turn-out to be twice that of July 11th. There’s only going to be so much I can cover in such a short amount of time to such a large group, but I will do my best.

My own, full-day workshop on nature and landscape photography is set for September 26 at Cox Arboretum. The fee is $89 per person and the group is limited to 20 people. That particular program filled within two weeks of announcing the details and I now have a waiting list 10 people deep. The good news is that I will be working on the details on another, similar full-day program at Cox, possibly on nature  and landscape photography in the winter. I’m thinking about a Saturday in January or February, 2010. The best way for people to receive an early notice and get signed-up is by registering for my e-mail newsletter.

Life’s Lessons on the Trail to Ramsay Cascade

Photos

Spring in Great Smoky Mountain National Park | Photo 02

Spring in Great Smoky Mountain National Park | Photo 02

see larger image

uploaded by jimcrotty

I’m not the fearless adventurer, so often and well-represented in the movies with the character of Indiana Jones. I’m just a middle-aged, roaming photographer and wanna-be writer. But Indiana Jones and I have one thing in common. We both hate snakes, and I really hate Rattlesnakes. However, sometimes such unexpected encounters can make for the perfect metaphor.

In mid-May 2009 I ventured to Great Smoky Mountain National Park, on the Tennessee side, to do some spring nature photography in what has become one of my favorite locations for beautiful landscapes.

I went with the goal of hiking a few new trails and photographing some waterfalls and cascades not seen during my last two visits to the Smoky Mountains. There was also the rising need within me to be in a place where I always return to find peace and creative inspiration – in nature’s beauty.

I’m learning that these ventures back to nature serve a larger purpose than just capturing new material for my growing photography business. There’s almost a cleansing process that takes place, kind of like a mini “40 days in the desert.” And through that process there is always the lessons to learn and nature’s symbols and messages to be experienced, observed and internalized by this lover of life and nature.

But this time around I was not expecting such a symbol to come slithering across my path, just a few feet in front of me. At first I looked at it with a bit of curious excitement. It wasn’t until a few days afterward that I pondered the chance encounter on that hike, and the hike itself, for what was – a representation of the journey all of us undertake, within the biggest and most visually striking landscape of them all – that of LIFE.

Continue reading Life’s Lessons on the Trail to Ramsay Cascade