Category Archives: Fine Art Photographs

The Peaceful Power of Calming Imagery

Where print installations of my work can be seen . . . Mayo Clinic, Rochester MN – Andrews Air Force Base Ambulatory Care Center MD – The Zangmeister Cancer Center OH – Miami Valley Hospital OH – Wooster Community Hospital OH – Soin Medical Center OH -Englewood Health Center OH – Springboro Health Center OH – Buckeye Oral and Maxilofacial Surgery Office OH – St. Rita’s Hospital OH – Wood County Hospital OH

Flyer promoting fine art nature and landscape photography by Dayton Ohio Photographer Jim Crotty

Just Half the Story | Tell Me More than Camera Settings

Early March at Cedar Falls in Hocking Hills Ohio by Jim Crotty
Early March at Cedar Falls in Hocking Hills Ohio by Jim Crotty

A photographer can describe a photograph in two ways.

Or a combination of both.

There is the description of the mechanics of the image – the camera and lens used and the camera settings as well as any accessories or filters applied during the exposure. I was reminded of such a description while reading the latest issue of Nature Photographer Magazine. Many beautiful images, and technically sound.

For this image such a description would read as follows – Canon EOS 5D Mark II with Canon EF24-70mm f2.8L USM lens. Exposure mode was aperture priority at f/16. Focal length was 27mm. ISO 50. Evaluative metering mode. Wait a minute, something I’m forgetting . . . oh yeah, shutter speed was one second. Oh, and I used a Giottos carbon fiber tripod, Kirk BH-1 ballhead and Kirk L-bracket. And a Canon RS-80N3 remote switch. And I was wearing my Vasque St. Elias GTX hiking boots too, which are pretty awesome by the way. Location was Cedar Falls in Hocking Hills State Park, Ohio. Date was March 6 2016. Capture time as 1:15:26 PM.

Still there? Good.

Bear with me.

There are many who prefer such a description below an image, and there’s absolutely nothing wrong with being more technically concerned with such information. But for me it is too defining, too closed-in, to withholding of the full potential of a photograph as both art of expression and extension of the photographer.

Truth be told it doesn’t take much to duplicate the image using just the technical information and the location.

But I always desire to go further, out beyond the mechanics of merely recording a second in time at a particular location. I want to see and contemplate how and why the presentation of moment and setting resounded in the photographer’s mind and heart to stop and record light in how it was being FELT, by first making use of his or her knowledge and experience of both equipment and exposure, and then letting go of preconceived expectations of what a particular audience wants to see and allow the vision and personality of the soul take priority.

That’s what an audience craves, whether they realize it or not.

It takes a bit more effort, and courage. There a comes a time when the growth of a photographer when he or she MUST place him or herself in every image and not just demonstrate technical proficiency. I think that’s exactly how I would describe the difference between beginning/amateur and experienced pro. There’s nothing to prove anymore other than the artist’s desire and joy in free expression unhindered by a lack of basic technical skill and experience (which I admit is necessary).

Unfortunately it feels as if everything in today’s world of instant entertainment and shallow appearances works against the full nurturing and crafting of artistic vision, and I fear so much of what truly makes an excellent image stand-out and tell a story is getting lost among all the noise.

Art is our treasure, a treasure that transcends time, for in art we see both the soul of the artist and a reflection of our own divine nature that strives to reach the uncommon and higher road.

Here’s how I prefer to describe the image posted here with this article –

Early March in Hocking Hills, Ohio, along the trail to Cedar Falls. A longer time exposure to convey the movement of water flowing from the first signs of winter’s release and a wider focal length to compose both foreground and background so that I could communicate both source and flow. This is a reawakening of life in the woods and the first signs of movement toward change in seasons, in both the landscape and within me personally. It was a challenging winter and a soon-to-be even more challenging spring. Changes had to come for new, vibrant growth to take place. I desired to part of that flow, to something greater, something better, and in the deepness of that pool I felt my soul and spirit move under the direction of a loving and guiding hand.

Yeah, I think I life that description better.

Enter November | Regaining Your Soul in the Change

The quiet of November. The cold of night slowly releasing to the remaining warmth of the day. Morning mist filling the valleys. Frost-covered leaves and bare branches silhouetting the oranges and purples of early sunsets. There’s a calmness to November; an ease of being, a peaceful disposition before the arrival of winter.

November has always been a welcome respite; that quiet and beautiful month of transition. It is an opportunity to return to my photographic roots among the towering Hemlocks of Hocking Hills and along prairie trails in twilight.

There’s a soft and slightly melancholy feel to the early nightfalls and horizons set to hues between orange and pink and migrating flocks overhead. I welcome the change and I’ve learned not to dread the arrival winter for it is in all the seasons and the in-between months when we are reminded that life is in a constant state of change. The soul was never designed to be a stationary object but flows with tides and the waxing and waning of the Moon.

Change is to be embraced. It’s good. It’s necessary. It’s how we grow. What remains consistent is the energy of love and grace that stays with all the winds of change. Let us all be fully and completely present in all that change brings us and during the calm beauty of November to stop and be grateful for all we’ve be blessed with in our lives.

The Super Moon of November 14 2016 rising above the woods in Sugarcreek MetroPark near Dayton Ohio by Jim Crotty
The Super Moon of November 14 2016 rising above the woods in Sugarcreek MetroPark near Dayton Ohio by Jim Crotty
Dusk in November from Sugarcreek MetroPark near Dayton Ohio by Jim Crotty
Dusk in November from Sugarcreek MetroPark near Dayton Ohio by Jim Crotty
The Super Moon of November 13 2016 rising above the woods in Sugarcreek MetroPark near Dayton Ohio by Jim Crotty
The Super Moon of November 13 2016 rising above the woods in Sugarcreek MetroPark near Dayton Ohio by Jim Crotty
Late fall evening in Conkle's Hollow State Nature Preserve Ohio by Jim Crotty
Late fall evening in Conkle’s Hollow State Nature Preserve Ohio by Jim Crotty
Early November sunset along the Bridle Trail in Hocking Hills State Park Ohio by Jim Crotty
Early November sunset along the Bridle Trail in Hocking Hills State Park Ohio by Jim Crotty
Misty morning in November near Bellbrook Ohio by Jim Crotty
Misty morning in November near Bellbrook Ohio by Jim Crotty
Misty morning in November near Bellbrook Ohio by Jim Crotty
Misty morning in November near Bellbrook Ohio by Jim Crotty
Misty morning in November near Bellbrook Ohio by Jim Crotty
Misty morning in November near Bellbrook Ohio by Jim Crotty
Misty morning in November near Bellbrook Ohio by Jim Crotty
Misty morning in November near Bellbrook Ohio by Jim Crotty
Misty morning in November near Bellbrook Ohio by Jim Crotty
Misty morning in November near Bellbrook Ohio by Jim Crotty

A Photographic Moment | The Bridges of Preble County Ohio

Discussing the regaining of creative momentum, positive energy, covered bridges and the Canon 5DS. I also mention my two upcoming workshops – “Find Your Creative Zone” on Saturday, August 27 2016 at Cox Arboretum and the “Shoot the Stars/Night Sky” workshop on November 4-5 at The Inn at Cedar Falls in Hocking Hills, Ohio.

A Photographic Moment | The Bridges of Preble County from Jim Crotty on Vimeo.

Ethics and Value in Nature Photography

Early morning in May 2010 at Ash Cave in Hocking Hills Ohio by Jim Crotty

 

“I wanted to find out from you a few things. What kinds of situations have you run across that brings this to mind? Have you conducted photography lessons and made sure the students are aware of possible ethics? What are your thoughts?”

Well once I get started on such a great subject I can’t just simply provide a couple of brief example and answers. This is one topic which I feel the urge to elaborate. One, because it’s so timely, and two, because photography has been my passion for quite some time now, long enough to notice and experience trends, developments and impact the medium has had on society.

Ethical conduct in nature photography should be a priority. I’d venture to say so much so that one should establish personal, ethical guidelines long before advancing to the latest and greatest DSLR camera, those big lenses and all those ninja-like software editing techniques. Ethical conduct in any art medium and line of work first must have a foundation of kindness, fairness and respect for the sanctity of subject and environment. Yes, that’s something that’s honed upon and learned over years of experience but there’s the simple fact that part of such a foundation is rooted in personality and upbringing.

The vast majority of people are decent human beings who make an occasional mistake of bad judgment, true, but there is that small minority who will go after what they want no matter what the possibility of negative impact it will have upon others, other life we share this planet with and the environment. They’re capable of justifying anything and everything they do. Nothing I can write and share will encourage a change in their behavior.

This response and article is not for them or about them. My thoughts are directed toward the large majority who already have a sound moral compass and just need a few reminders of what not to do when in the field, involved and pursuing that wonderfully rewarding medium of expression known as nature and landscape photography.

The allure of capturing that one image that garners the most “likes,” lead to that book cover and result in that 1st place award at the camera club can be intoxicating, can’t it? It always has been but what has truly amped-up the enticement of this kind of competitive notoriety is the explosive growth and impact of online social media. It’s caused nearly all photographers to drift into the realm of the quick fix of online fame. It’s worth mentioning here because I think it does have a great deal to do with the importance of ethical conduct in this particular artistic medium. It’s served as “added fuel,” so to say, to forces at work that can push good, decent people over that borderline and away from what is right toward not-so-good behavior. Our collective ethical conduct has been watered-down by the gods of the internet and everyone aiming to be that rock star photographer.

By my very nature and the nature of my work I am an observer; a student of cause and effect within the environment. With my work it has to do with light, subject and setting. I tend to apply this same studious approach toward people. I look for the root cause. I believe strongly that the insta-fame of social media is what is driving a lot of questionable behavior of nature photographers these days. Herein lies the source of my examples. And I will add this – I am not been immune to it, that pull and temptation.

The situations that come to mind most often pertain to wildlife subjects but I’ve observed it in landscape photography as well. I’ve seen Black Bear cubs harassed up trees in Great Smoky Mountain National Park and raptors baited with store-bought mice. I’ve seen crowds of photographers fighting and clamoring for the same scenic vantage point. If seen photographers put themselves and others in danger in stopping along roadsides with traffic flying by, inches away (ok I’m kind of guilty of that one). Gardens have been trampled over, subjects posed on active railroad tracks and garbage and domestic animals brought out on trails where both are clearly prohibited. I’ve also seen bird nesting sites destroyed and alligators approached with nothing more than camera phones. In general, just a lot that leaves me walking away and shaking my head.

It would be easy to list simple tips on what not to do when actively engaged in nature and landscape image-making. There are the obvious – don’t unroot plants, don’t harass animals to the point of stress or abandoning territory, don’t trample through protected areas, etc. I think the better way to offer helpful suggestions is simply adapting an “approach of honor and respect,” which must first be grounded in solid, positive self-image, and then applying that approach into what I consider the five key areas of consideration within the medium and pursuit of nature photography – subject, setting/location, audience/viewer, fellow photographers and finally, the resulting photograph.

1) Subject: I briefly touched on this earlier but it is important to go into more detail here. Honoring the subject, with respect and appreciation, is absolutely essential. Whether animal, plant or landscape. The sanctity of the living space and life of the subject should always be maintained and not sacrificed in the name of the “good shot.” Besides when an animal is scared and stressed it will show in the resulting image. Here’s the true value of a good telephoto lens when it comes to wildlife photography, other than the obvious amazing optics. For birds and other wildlife I recommend at least a 300mm telephoto lens. The zoom lenses that come with DSLR cameras offer some telephoto capabilities – usually up to 200 or 250mm – but it really is not enough to fill the frame with your subject while maintaining a safe distance, unless with a very tame animal. Be a brief visitor and not an intruder. Go quietly and gently toward subject. Understand its behavior. Invest the time needed to observe before photographing.

2) Setting/Location: The natural setting could be just down the road at a nearby metro park or somewhere in the vast beauty of a National Park. Regardless here too I recommend slowing down and spending time to be quiet and observant rather than rushing onto a location, shooting away and moving on to the next spot. The rush will show in your images. I always find it more productive to spend time within a particular area, allowing the images to come to you, versus chasing one often photographed scene after another. There is so much more to be explored when being patient with a scene and allowing the light to change and unfold before you. Time and time again I’v witnessed groups of photographers constraining themselves with time and schedule limitations, rushing their image making and then returning with average photographs at best. Respect the process and the location well enough to let it bring the photograph to you. Established trails (and operating hours) are there to protect flora and prevent ground damage. Be careful with tripods because often legs are spread out to where they could possibly harm other plant life.

3) Audience/Viewer: Ansel Adams once said “there are two people in every picture: the photographer and the viewer.” And he was referring to landscape photographs in response to a critic who complained about the absence of human subjects in his images! By way of the photographer approaching his or her subject with honor and respect the image also communicates honor and respect for the viewer. There is a dynamic of visual storytelling taking place that should not be taken for granted or glossed over. That dynamic should be positive-amplifying. If you should have the opportunity to listen to any one of the top pro nature photographers in the industry, such as Art Wolfe, you will leave with strong sense of his appreciation for both his subjects and you, a member of his audience. The best artists know to honor this dynamic – this “conversation” – between artist, subject and audience.

4) Fellow Photographers: Now this gets a bit more nitty gritty because I’ve noticed a disturbing trend over the last 15 or so years with the advent of digital image making and DSLR cameras. Nature and wildlife photographers are poaching the heck out of each other and are becoming entirely too focused (no pun intended :)) on outdoing each other, to the point of feigning online friendship for the sole purpose of gleaning information on locations, techniques, inside tips, etc. Yes, it’s good to be friendly and helpful but when one is continuously “pumped for info” it becomes easy to see the difference between honest connection and community and just being used for information, and then seeing one of your images duplicated. It might just be me but it just brings a negative energy into the medium that takes away from what makes an excellent landscape image so special in the first place. It detracts from the intimacy. Respect the work of your fellow photographers. Respect each other when photographing together or at the same location. Develop your own eye and approach and have enough confidence in your unique way of image making that you don’t feel the need to constantly imitate others. Yes, it’s good to learn and be inspired, but then apply it to your own unique vision.

5) The Photograph – Honor it. Always. Artists always have a tendency toward devaluation and trust me, there are many people who know how to profit from that type of self-devaluation. I know. All too well. The photograph is the culmination of our work and if you’ve been at it as long as I have you have less and less tolerance for those who want to assign value based on their own intentions toward profit down the road. How does this apply to nature and landscape photography and ethical conduct? Easy. Honor and respecting the final image will always increase its value because by doing so you communicate honor and respect for yourself and your subject. People react to that kind of energy. By appropriately valuing that photograph of a Ruby-throated Hummingbird in beautiful morning light you are also maintaining respect for that species and its environment. Always carefully manage your copyrights and usage of your images.

Anyone involved in the artistic endeavor of nature and wildlife photograph should understand his or her role as a steward in the protection of the subject, the medium and the relationship between artist and audience. Honoring and respecting the sacredness of stewardship in the art and craft of photography will help ensure the variety and vitality of beautiful and inspiring subjects for generations to come and the amazing stories to be shared long after all the “likes” are done and the awards forgotten.

As we approach and capture the essence of our subjects – with honor and grace – so we accept and respect the honor and grace in each of us. Let no one detract.

Winter Reveals the Essence

The bare rawness of winter has a way of revealing character, a stripping away to what is perhaps hidden in the grandeur of the other seasons. There is a quiet beauty to it too, like the hush between falling snow and nothing but the whisper of cold night air under winter stars. We need winter where the heart speaks loudest. Not in want of the other seasons but in the truth made known in fortitude, patient endurance and the revealing of what resides on the base layer of our being.

Full Wolf Moon of January 23 2016 rising over path at Sugarcreek MetroPark near Dayton Ohio by Jim Crotty
Full Wolf Moon of January 23 2016 rising over path at Sugarcreek MetroPark near Dayton Ohio by Jim Crotty