Category Archives: Ohio Photographs

Fine art photographs of Ohio landscape, cityscapes, wildlife, flowers, woodlands, waterfalls and more.

HDR Photography Hot Topic at Workshop

In presenting my first, full-day workshop on nature photography, yesterday at Cox Arboretum, the topic that generated the most interest was my work with high dynamic range photography. This slide presentation was created from the images I used at the workshop to illustrate this particular creative technique with digital photography. I like to emphasize that HDR photography – the merging of two or more exposures of the same scene – is NOT digitally adding or altering the image. It simply brings forth a much greater tonal range amongst the existing elements within the photograph. The trick is not to be too “heavy handed” when applying the various settings for gamma, white point, luminosity, etc. when using the tonal adjustment tool.

The September 26 workshop at Cox Arboretum in Dayton went very well, despite it being my first time presenting a full-day program. I limited the attendees to just over 20 people. This was a good, manageable group. I will be presenting another full-day program on a Saturday this January, at which time I will probably concentrate more on digital workflow using Apple Aperture and various digital techniques using both Photoshop and Photomatix.

New Book and Magazine Released Featuring Jim Crotty Photography

My most recent release via the Blurb.com bookstore – “Renewal,” featuring spring photography of landscapes in both Hocking Hills State Park of Ohio and Great Smoky Mountain National Park in Tennessee. This volume is available in both softcover and hardcover formats as an 8″x10″ coffee-table style book, perfect for office lobbies or home. In addition to presenting stunning nature and landscape photographs from these scenic areas of Appalachia the book also includes an introspective essay titled “Life’s Lessons Learned on the Trail to Ramsay Cascade.” This was an article I drafted shortly after my May excursion to The Smokies and provides some insight on how life experiences are often paralleled in the most simple journeys through the natural landscape. The price for the soft-cover version is $29.95, not including shipping.

Cover image of Renewal nature photography book by Jim Crotty
Cover image of Renewal nature photography book by Jim Crotty

I’m also pleased to announce the first issue of what I hope to become a regular series of self-published magazines, titled “The Poet’s Eye.” This 24-page, 8.5×11 publication includes a brief introduction about the work presented and select images representing a particular subject, location or photographic technique. This, the first issue, features my recent work with converting high dynamic range photographs to monochrome – black and white – fine art images. The cost per issue is $7.84.

The Poet's Eye Photography Magazine by Jim Crotty
The Poet's Eye Photography Magazine by Jim Crotty

If you’re a regular user of Facebook there is a group page for Jim Crotty Photography. I often post new images and information regarding published images, commercial photography assignments and my photography workshops to this interactive group page which also allows followers to post their information and comments. Check it out.

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A Visual Celebration of the End of Summer

While most people celebrate the end of summer with back to school and Labor Day activities, I prefer to take notice of the turning of the season, a turning toward what I like to call the “good light.” Softening sunlight and lengthening shadows and fields that turn to gold. This is the nature photographer’s best season when capturing images of the Ohio landscape. It’s also the primary reason I’ve scheduled my first, full-day photography workshop for the weekend of September 26th.

The End of Summer on the Ohio Landscape by Jim Crotty
The End of Summer on the Ohio Landscape by Jim Crotty

It is also with some melancholy that I say farewell to the summer of 2009. Back in May I made a goal of making this past summer one full of positive experiences from the limited time I have available to spend with my daughters, Emma, age 10, and Chloe, age nine. Making this my goal was in response of regretting not doing such during the summer of 2008. You see I am a single, divorced dad of two very special little girls. During the school year they live with their mother in Texas. Emma and Chloe are my everything, and I’ve made it no secret that there is NOTHING for me in Ohio that comes close to being worth the pain I go through when I have to say goodbye and put them on that American Airlines flight back to Texas.

I mean it – NOTHING, especially Dayton. I don’t think I need to explain that point further for most regular readers of this blog.

I succeeded in accomplishing my goal for this past summer, so much so that the pain of the goodbye (at least for me) was as sharp and searing as it has ever been.

And it’s with that emotion of love and commitment to my children that I present the following video and images, most of which were taken during my daughter’s last week with me in mid-August and going through the lonely days following to the beginning of September.

The visual artist creates what is discovered in the light from that which is felt within.

Teaching a Photography Workshop at Wegerzyn Garden in Dayton

The Photographer At Work

Originally uploaded by Sue Combs.

Thanks to workshop attendee Sue Combs, who was at my short, photography workshop yesterday at Wegerzyn Gardens in Dayton. She snapped this shot of me as I was demonstrating the use of a Lensbaby lens in photographing a Sunflower. I like the angle she’s using, how she composed the image and the choice of a narrow depth of field.

I think there were close to 100 people who attended the program. The Thursday prior to the workshop I contacted the Five Rivers MetroParks office with a “heads-up” on my anticipating a VERY large turn-out. The staff responded promptly with the addition of a second instructor, Adam Alonzo, another very talented photographer here in the Dayton area and experienced instructor. We were able to divide the group into two sections.

While I presented a practical application of basic flower photography techniques, outside in the gardens, Adam conducted an indoor, classroom presentation through the use of laptop and LCD projector. Half way through the one and hour workshop, the two groups switched. This gave everyone an opportunity to receive instruction from myself and Adam, in both classroom and outdoor settings.

All is well that ended well. A special thanks goes out to Adam and the staff at Five Rivers/Wegerzyn.

What’s great is that I now have a waiting list started for not only my full-day photography workshop at Cox Arboretum on September 26, but the registration list for a second, full-day program is already half-full. I limit these programs to just 20 people. The cost is $89 per person, which includes lunch.

I’m going to see how well these first, two full-day workshops go and then I will most likely establish a regular schedule, perhaps a program every one or two months.

To find out more, see http://www.ohiophoto.org/PresentationsWorkshops/PhotographyWorkshops.html

Capturing a Falling Star with Digital Photography

Those in Dayton with an interest in photography could very well be presented with an opportunity to expand their image making skills next week. The evening of August 12th will see nature’s fireworks – the annual return of the Perseid Meteor Shower. This cosmic display of flashing fire and rock through the Earth’s upper atmosphere is the biggest meteor shower of the year.

Many amateur photographers tend to limit their cameras to the more common subjects that we see around us everyday – nature, landscapes, wildlife, flowers, friends and family. However, with just the simple addition of a sturdy tripod and making use of the time exposure settings of most of today’s point and shoot digital cameras, photographers can capture on digital sensor a “falling star,” and with the Perseids just one photograph could easily contain several flashing trails of meteorites.

Photographing meteor showers is often the first step into the realm of “astrophotography” – the photography of night sky objects ranging from the Moon, the planets, nebula, star clusters and distant galaxies. But with photographing meteorites the difference is in the gear required. Most of the other subjects requiring the attaching of a digital camera body to a telescope through the use of mounting adapters, and then the tracking mechanism on the telescope (also known as a motor drive) has to be carefully aligned so that it tracks exactly with the rotation of the Earth. Deep sky subjects often require exposures of an hour or more, oftentimes multiple exposures that are later “merged” or combined together.

Meteorites speeding through the sky need just a basic camera body – either 35mm SLR or fixed-lens, point and shoot – and either a normal or wide angle lens, usually anything from 28 to 55mm, or a zoom in the range. The camera will need to offer the photographer the ability to manually select both shutter speed and aperture, which is usually the “M” setting. Attempting astrophotography in any type of “auto” exposure mode will not work, primarily due to the fact that the source of light that the camera meter is attempting to adjust to is simply too small or dim.

Any type of time exposure that is longer than 1/30th of a second will require the camera to be set-up on a tripod. Hand-holding the camera simply will not work and result in lots of little, indistinguishable blurry lights in darkness. A cable release from the camera’s shutter button is also a good idea so that all possible hand contact with the camera, during the exposure, is avoided. Also be careful to set your tripod on a sturdy surface, such as pavement or hard ground. Many people make the mistake of setting their tripod for night exposures on a porch deck or walkway. Even the smallest step from you or anyone else nearby will shake the camera during the exposure.

Aperture settings should be as wide as possible, such as 2.8 or 3.5, so as to allow as much light in as possible. It’s also a good idea to turn the auto-focus feature off and pre-focus on a distant tree or house on the horizon. If the focus is still on more nearby objects the stars and meteors will once again be blurry.

The longest shutter speed setting should be used for meteors, which on most cameras is 30 seconds. Here again you will want to be in a setting that is FAR away from house, street and city lights.

For the Perseids on August 12 the best time of night will be midnight and after. That’s when most of the meteor activity takes place. Rather than fumble in the dark with camera and tripod, try setting your gear up before sundown. Direct your camera and lens toward the northeast horizon, which after midnight will be the “epicenter” of the Perseid meteor activity. When the time comes just starting taking your exposures, one after the other, 30 seconds for each. The odds will be excellent that you will capture a streaking light of one or more meteorites.

With exposures that are 20 seconds or more the stars will begin to “trail,” meaning they look like little, curved lines dotting the sky versus pinpoints of perfect starlight. That’s okay, because when a meteor comes through it will be in a completely different direction than the lines of the stars, thus making a nice and noticeable difference between star and “falling star.”

Another tip is to try to include a telling (but not too intrusive) foreground element within the frame of the picture, such as a tree or treeline. A certain amount of depth and interest will be added to the final photograph that contains the meteor. However, it’s important to be aware of any possible man-made light that could be falling on the tree or trees. With just the faintest, far away street light the trees will “glow” within the time exposure and make your nighttime exposure tend to look unnatural as well as distract the viewer’s eye away from the primary subject.

Although the chances are good that photographers can photograph one or two of the brighter meteors of the Perseid shower within the limits of Dayton and surrounding suburbs, the best thing to do is drive as far out into a rural location as possible. The further away from intrusive light pollution the better, and will often double or triple the number of meteorites seen and photographed.

Closer to Dayton is John Bryan State Park, in Greene County. The Miami Valley Astronomical Society maintains an observatory in this location because it’s just far away from urban lights to allow for good night sky conditions.

Another option is to take the opportunity of this rare celestial event for a short trip to Hocking Hills State Park in Southeastern Ohio, just a two hour drive east of Dayton. The night sky in this part of the state is some of the darkest to be found within easy travel distance from the Montgomery County area.

Hocking Hills is so popular with amateur astronomers and astrophotographers that both Getaway Cabins and The Inn at Cedar Falls, which both offer superb overnight accommodations, include separate sections on their web sites for stargazers. There is nothing like the thrill of seeing the night sky with all the glory of the Milky Way when standing on the hilltop behind The Inn at Cedar Falls. The Perseids will surely look their best from that particular vantage point.

This year viewers and photographers will have the added benefit of a Moon that is not full on the evening of the Perseid Meteor Shower. The only other thing to do is to hope for clear weather, but even if the conditions aren’t good on the evening the 12th, there will still be sections of the meteor event visible a couple of nights prior and after.

Late summer has arrived with the grand show of the Perseids. With just a tripod and a some time exposures amateur photographers in the Dayton area will be able to capture with camera this amazing show.

For more information, please see http://science.nasa.gov/headlines/y2009/31jul_perseids2009.htm

A Tale of Two Mornings

From the back deck of my home I have a wonderful vantage point of the eastern horizon, perfect for capturing sunrises during the summer. Still my all-time, personal favorite location for dawn and sunrise photography is the hilltop behind the Inn at Cedar Falls in Hocking Hills. My back deck in Centerville is a good subsitute when I’m not there at the Inn in what I and others like to refer to as a “sacred place.”

Sunrise for landscape photography is a pure pleasure that I relish in. The peaceful beauty can not be matched. It’s God’s way of saying to us “here, another blessing of a new day, to start again, to renew.”

The following two images were captured in the cool stillness of dawn on the early morning of Monday, August 3d, 2009. I was well up before the light began in the eastern sky. I was greeted with the sight of Sirius (the brightest star in the sky) following my old friend of winter – Orion. The first harbinger of the cooler, golden days of autumn has arrived.

Photographer Jim Crotty captures the pre-dawn sky
Photographer Jim Crotty captures the pre-dawn sky
Sunflower Photograph by Dayton Photographer Jim Crotty
Sunflower Photograph by Dayton Photographer Jim Crotty

And then again what a difference a day makes. Pre-dawn this morning, August 4, 2009 and I’m awakened by the most spectacular show of lightening and sound of thunder seen yet this year. From the covered safety of my kitchen window I set-up my Canon 1D Mark III with a Canon 28-70mm f.2.8 lens on the tripod and fired 30-second exposure after 30-second exposure, hoping to capture just the right lightening strike. The following image came closest to what I had in mind –

Lightening Photograph by Dayton Ohio Photographer Jim Crotty on August 4 2009
Lightening Photograph by Dayton Ohio Photographer Jim Crotty on August 4 2009

Here again I’m reinforced with the belief that the artist captures best that which is closest to home, and oftentimes the most striking of nature and landscape photographs result from the subtle and oftentimes overlooked beauty that lies just out the front or back doors. This coming Saturday, August 8th, I will be presenting more images and talking about how the best photographs can be obtained just outside in one’s backyard at Dayton’s Wegerzyn Gardens. This is a one and half hour program on the basics of nature photography, being offered free to the public through Five Rivers MetroParks. It’s also a follow-up to the same program I presented to about 40 people at Wegerzyn on July 11th. The problem is that since then an article ran in the Dayton Daily News (with the headline error of “Local Artist to Present Free Workshops” – Five Rivers does; Jim Crotty does not), along with the fact that my number was given to register versus that of the Park office, my phone has been ringing off the hook. I’m estimating the turn-out to be twice that of July 11th. There’s only going to be so much I can cover in such a short amount of time to such a large group, but I will do my best.

My own, full-day workshop on nature and landscape photography is set for September 26 at Cox Arboretum. The fee is $89 per person and the group is limited to 20 people. That particular program filled within two weeks of announcing the details and I now have a waiting list 10 people deep. The good news is that I will be working on the details on another, similar full-day program at Cox, possibly on nature  and landscape photography in the winter. I’m thinking about a Saturday in January or February, 2010. The best way for people to receive an early notice and get signed-up is by registering for my e-mail newsletter.