I’m happy to announce that I have added a second, full day nature photography workshop for May 2017. In addition to the workshop in Hocking Hills Ohio on Saturday May 6th I will also be presenting a workshop at Cox Arboretum MetroPark near Dayton Ohio on Saturday May 20th. Both programs will be based on mastering the craft and art of spring nature photography. I present my workshops as an effective balance between both in-classroom instruction and field instruction, culminating in a review of select images from the students. The majority of my workshop students are those just starting out with their first DSLR camera but I also make it a point to include advanced instruction for the more experienced photographers. Additional details and registration information is available at http://jimcrotty.zenfolio.com/photography-workshops
The Art of Spring in Hocking Hills Ohio | A Photography Workshop by Jim Crotty | Saturday May 6 2017 – The Inn at Cedar Falls
Join Professional Photographer Jim Crotty as he returns to his favorite location in Ohio for nature and landscape photography, to do what he loves – teaching the art of capturing images and composing subjects and scenes in what he considers the best time of year in Hocking Hills – spring.
Jim will be leading a small group (his workshops are limited to 20 participants) along the best trails in Hocking Hills for capturing stunning imagery of the Hemlock-filled forests, waterfalls, streams and spring flora.
Instruction will be held both on the trail and in the classroom at The Inn at Cedar Falls – the perfect centralized location within the Park for easy access to the most scenic areas. From discovering or enhancing the photographer’s creative vision to grasping the technicalities of nature photography with the DSLR camera, Jim will be sharing his favorite tips and techniques for composing nature imagery that tells the true story of the true beauty of this special place.
Beginners are welcomed as well as advanced photographers. Jim is known for workshops that provide a valuable and fun learning experience for all who attend.
The cost is $100 per person for the full-day workshop (8AM to 5PM) which includes professional guidance and instruction, handout materials and lunch at The Inn at Cedar Falls. Fee does not include transportation and accommodations. Workshop participants who choose to stay overnight at The Inn at Cedar Falls will receive a special workshop discount.
To register please email firstname.lastname@example.org or call 937-896-6311. Once again this workshop is limited to the first 20 people who register so please email or call soon.
Last Friday I accompanied my 15 year old daughter as she went to the oral surgeon to have her four wisdom teeth removed. I am very fortunate to have the flexibility and freedom to be able to be there for her. It all went well with even a comical video or two of the after effects of the analgesia. I was happy to be there for her. Chloe is my youngest and lives with me here in Ohio. Her older sister Emma is 17 and will be graduating this year from high school in Texas where she lives with her mom. My son Philip, age 30, is making his own way and living his dream near the Rocky Mountains of Colorado.
Make a difference where it counts, and lasts. The achievements that will always stand the test of time will be those that positively impacted another person’s life. That’s job #1 in being parent and I fear that in all the political noise we’ve surrounded ourselves with has taken some the focus away from why we’re here and what we’re doing in the first place. And it’s just not the political noise. It’s the noise of our own insecurities and fears often amplified due to the inevitable and constant comparisons being made on social media.
As an independent artist and photographer I’m often challenged to constantly bring in new work in a smaller market where I’m well-established, and with growing competition from influx of new photographers and cell phone cameras. I put pressure on myself to introduce to the fine art print market striking, new imagery representing new locations.
It’s always there on social media, is it not? The hipster photographer traveling the back roads of the American West in his custom SUV or retro Woodie Wagon with a Husky in tow and every week a breathtaking sunrise along the coast or in some grand vista of a National Park.
How many photographers can actually make a living from such a “dream job?” Very, very few. Seriously, if any at all. What still surprises me is the number of people I come in contact with who think that’s me. It is not. In fact I haven’t traveled outside of Ohio since I went to visit my daughter in Dallas last October.
All those images I post everyday to my company Facebook page? Old stuff. Lots of it. Again and again. And you know what? That’s O.K. Just last week I posted a canyon landscape that I captured when I lived in Utah in 1999. Six months from now I will probably post it again.
There are some important points I’m making here. One, selling art is not selling entertainment, and unfortunately that’s what the bent has become for the vast majority of artists pushing themselves on social media these days. To entertain and “engage” by feeding this huge, nebulous audience of followers “new stuff” that shows just how exciting the life is being pursued by the most popular adventuresome hipster artist. I think it’s a shame that this approach is being perpetuated amongst art schools and colleges and in a way falsely convincing students that they will actually be able to make a living traveling, blogging and selfie-stick their way through life. They won’t.
The other point to be made is that when we finally learn to accept the blessings and opportunities that are right outside our front doors we find that often it’s through such local endeavors, no matter how “boring” it may appear on social media, where we find our creative voices and more importantly, the type of face-to-face, personal connections that in the long run will be far more profitable and fulfilling. For me one area of unexpected fulfillment has been expanding my photography practice to the field of teaching photography, through field workshops. To awaken the joy of artistic expression in a new photographer with a camera and with the right guidance is worth any National Geographic expedition to the most exotic locations.
The problem we are all facing today is this constant negative energy of adversarial relationships that arise from so many comfort zones and assumptions, especially between generations. Heck I’m already doing it with the use of the term “hipster.”
We need to return to common ground of learning, growth and collaboration. To remain divisive is to continue to keep generations isolated. That’s not good for anyone.
My other point is the most important. Don’t screw-up priorities. It’s easy to do, especially when you work in a field where there’s quite a few unrealistic expectations. That gets frustrating and it simply is not worth it to try to please all people all the time. Look to where and how your work has made a positive impact, beyond the bottom line and short term profit. Having worked as a photographer since 2003, in a number of different locations and for a wide variety of clients and students, I’ve lost count the times I’ve been told what a difference my photographs have made, how I’ve inspired someone to reach out and grow or how simply sharing an old favorite landscape image with some words of support made someone’s day.
And this gets back to the unexpected joys of parenthood. When my daughter selects one of my images from my web site for a project for her sophomore art class and for me to be there when they perform, maybe not all the time because of how things have worked out with distances, but to be there when it matters and to matter to them when it counts, and sometimes you get a goofy post-wisdom teeth video to share to boot.
I’ve put a lot of expectation for perfection upon myself. Artists tend to do that. But at 52 years of age all I can hope for now is just to make a positive difference each day, with my kids and with anyone I’m blessed to come in contact with.
Plant the seeds that no else sees, and anchor your confidence in the joy of the fruit to be harvested long after you’re gone. It will all be worth it.
Where print installations of my work can be seen . . . Mayo Clinic, Rochester MN – Andrews Air Force Base Ambulatory Care Center MD – The Zangmeister Cancer Center OH – Miami Valley Hospital OH – Wooster Community Hospital OH – Soin Medical Center OH -Englewood Health Center OH – Springboro Health Center OH – Buckeye Oral and Maxilofacial Surgery Office OH – St. Rita’s Hospital OH – Wood County Hospital OH
A photographer can describe a photograph in two ways.
Or a combination of both.
There is the description of the mechanics of the image – the camera and lens used and the camera settings as well as any accessories or filters applied during the exposure. I was reminded of such a description while reading the latest issue of Nature Photographer Magazine. Many beautiful images, and technically sound.
For this image such a description would read as follows – Canon EOS 5D Mark II with Canon EF24-70mm f2.8L USM lens. Exposure mode was aperture priority at f/16. Focal length was 27mm. ISO 50. Evaluative metering mode. Wait a minute, something I’m forgetting . . . oh yeah, shutter speed was one second. Oh, and I used a Giottos carbon fiber tripod, Kirk BH-1 ballhead and Kirk L-bracket. And a Canon RS-80N3 remote switch. And I was wearing my Vasque St. Elias GTX hiking boots too, which are pretty awesome by the way. Location was Cedar Falls in Hocking Hills State Park, Ohio. Date was March 6 2016. Capture time as 1:15:26 PM.
Still there? Good.
Bear with me.
There are many who prefer such a description below an image, and there’s absolutely nothing wrong with being more technically concerned with such information. But for me it is too defining, too closed-in, to withholding of the full potential of a photograph as both art of expression and extension of the photographer.
Truth be told it doesn’t take much to duplicate the image using just the technical information and the location.
But I always desire to go further, out beyond the mechanics of merely recording a second in time at a particular location. I want to see and contemplate how and why the presentation of moment and setting resounded in the photographer’s mind and heart to stop and record light in how it was being FELT, by first making use of his or her knowledge and experience of both equipment and exposure, and then letting go of preconceived expectations of what a particular audience wants to see and allow the vision and personality of the soul take priority.
That’s what an audience craves, whether they realize it or not.
It takes a bit more effort, and courage. There a comes a time when the growth of a photographer when he or she MUST place him or herself in every image and not just demonstrate technical proficiency. I think that’s exactly how I would describe the difference between beginning/amateur and experienced pro. There’s nothing to prove anymore other than the artist’s desire and joy in free expression unhindered by a lack of basic technical skill and experience (which I admit is necessary).
Unfortunately it feels as if everything in today’s world of instant entertainment and shallow appearances works against the full nurturing and crafting of artistic vision, and I fear so much of what truly makes an excellent image stand-out and tell a story is getting lost among all the noise.
Art is our treasure, a treasure that transcends time, for in art we see both the soul of the artist and a reflection of our own divine nature that strives to reach the uncommon and higher road.
Here’s how I prefer to describe the image posted here with this article –
Early March in Hocking Hills, Ohio, along the trail to Cedar Falls. A longer time exposure to convey the movement of water flowing from the first signs of winter’s release and a wider focal length to compose both foreground and background so that I could communicate both source and flow. This is a reawakening of life in the woods and the first signs of movement toward change in seasons, in both the landscape and within me personally. It was a challenging winter and a soon-to-be even more challenging spring. Changes had to come for new, vibrant growth to take place. I desired to part of that flow, to something greater, something better, and in the deepness of that pool I felt my soul and spirit move under the direction of a loving and guiding hand.
The quiet of November. The cold of night slowly releasing to the remaining warmth of the day. Morning mist filling the valleys. Frost-covered leaves and bare branches silhouetting the oranges and purples of early sunsets. There’s a calmness to November; an ease of being, a peaceful disposition before the arrival of winter.
November has always been a welcome respite; that quiet and beautiful month of transition. It is an opportunity to return to my photographic roots among the towering Hemlocks of Hocking Hills and along prairie trails in twilight.
There’s a soft and slightly melancholy feel to the early nightfalls and horizons set to hues between orange and pink and migrating flocks overhead. I welcome the change and I’ve learned not to dread the arrival winter for it is in all the seasons and the in-between months when we are reminded that life is in a constant state of change. The soul was never designed to be a stationary object but flows with tides and the waxing and waning of the Moon.
Change is to be embraced. It’s good. It’s necessary. It’s how we grow. What remains consistent is the energy of love and grace that stays with all the winds of change. Let us all be fully and completely present in all that change brings us and during the calm beauty of November to stop and be grateful for all we’ve be blessed with in our lives.
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