A Photographic Moment | The Bridges of Preble County Ohio

Discussing the regaining of creative momentum, positive energy, covered bridges and the Canon 5DS. I also mention my two upcoming workshops – “Find Your Creative Zone” on Saturday, August 27 2016 at Cox Arboretum and the “Shoot the Stars/Night Sky” workshop on November 4-5 at The Inn at Cedar Falls in Hocking Hills, Ohio.

A Photographic Moment | The Bridges of Preble County from Jim Crotty on Vimeo.

Transcend | Dare to Believe

Only by peace can the human heart gain sovereignty over the darkness of fear and the desires of the ego. The world grasps and holds at what is only temporal, as if life is a mere game of competitive oneupmanship. The winners. The losers. The accounting and counting of what eventually amounts to nothingness. But the truth of the soul is a love that transcends this world, where the only measure is the heart’s capacity for the sheer honesty of its beauty and being and destiny. We are not sent to our fates by a cold and uncaring God. It is rather by our own choosing do we recede into darkness or proceed into light. Only by peace can the heart lead the way forward. The conscious decision to follow that path is a holy power, a divine gift. In the years that fall behind us may we all gain the awareness that is peace and acceptance and join our hearts in the grandeur that is love everlasting.

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Find Your Creative Zone | Summer Photography Workshop in Dayton Ohio

Saturday August 27 2016 @ Cox Arboretum MetroPark near Dayton Ohio. Full day workshop. 8AM to 5PM
Cost: $89 per person which includes Panera box lunch and refreshments. Transportation and overnight accommodations are not included. Payment is made the morning of the program, by cash, check or VISA/MC. All that is needed for registration is your email address for pre-workshop notifications. Email jim@jimcrotty.com.

Full day photography workshop at Cox Arboretum in Dayton Ohio on Saturday August 27 2016 presented by Jim Crotty
Full day photography workshop at Cox Arboretum in Dayton Ohio on Saturday August 27 2016 presented by Jim Crotty

Late summer in the gardens at Cox Arboretum offer a wide variety of nature subjects, from butterflies to sunflowers and tall wildflowers of the Ohio meadow. With this workshop I will be providing my best tips and tools for capturing nature and landscapes images for fine art photography using the DSLR camera, guiding students in the journey toward gaining more creative control with their cameras versus relying on automatic settings. This workshop will be a balance between classroom instruction on digital editing in the MeadWestvaco Theater room and field instruction on the trails and in the gardens of Cox Arboretum. We will be photographing both wide and intimate landscapes as well as natural details discovered within the park.

The Takeaway:

* My top ten tips for best results in landscape photography

* Pro techniques for optimal results with close-up (macro) nature photography

* Move into the creative zone and away from full auto

* The “zen” of fulfilling nature photography

* Learn to “see” the light

* How to “work” a location with proper approach and patience

* Best tools and lenses for pro results

* The benefits of working from creative angles

* Best practices and software for outstanding digital editing

* How to get your images noticed and ultimately sold and published

Plus my workshops are just plain FUN. Learning the art and craft of nature photography does not have to be tedious and stressful. Far from it. It should always be a fun and rewarding experience.

The Rabbit Room | Art Stories: The Failure of Van Gogh’s The Starry Night

Artists have a tendency to be perfectionists and in being so they sometimes remain in the limits of their own doubts. What makes their work truly beautiful and timeless is the passion to keep trying and keep expressing, through all the doubts and fears. That’s what people connect with, for generations and generations to come. The art and the artist who is honest with his or her own humanness and the unrelenting need to feel, connect and express.

Van Gogh considered The Starry Night to be a failure. The stars were too big. Vincent van Gogh (1853-1890) painted The Starry Night from an asylum in Saint-Rémy, during the daytime, from memory, on…

Source: The Rabbit Room | Art Stories: The Failure of Van Gogh’s The Starry Night

What’s My Favorite from 2015? | Visualizing What is Felt in the Heart

My Favorite Photograph of 2015. I was recently asked to identify and write a short blog post about what I consider my favorite image from 2015. Here’s my reply –

Spring sky over Kettering Ohio on April 26 2015 by Jim Crotty
Spring sky over Kettering Ohio on April 26 2015 by Jim Crotty

To most it may not be much – just a beautiful spring sky and new color in the trees. But to me is what this image has come to symbolize due to timing, setting and subject, but mostly timing. And not timing in the sense of capturing the light at that particular hour or season but timing in the sense of the context of my approach and what I was feeling when I released the shutter button.

It was one year ago, April 26 2015. Just one month prior to that date – March 27 – my mother had passed away at the age of 79. She had struggled with the declining health that comes with Parkinson’s Disease for nearly 20 years.

The scene of this sky and trees was directly above her hillside garden at the Kettering, Ohio home she shared with my dad since 1989.

Her garden was her soul and everything that grew in it was an extension of her heart.

You see that’s who first awakened my love for nature (and subsequently, nature and landscape photography) so very, very long ago. Well, for as long back as I can remember. It was through those distinct seasons growing up in Southwestern Ohio when I recall seeing my mom in her element. She became lost in her gardening, with two impeccable rose gardens and a backyard full of carefully arranged and cared-for annuals and perennials, interspersed and bordered by Locust, Maple and Pine. Spring through fall, mom was in her garden. The local gardening club came for tours due to her attention to detail and expert knowledge on what could grow well here and not there and what provided the best visual presentation as seasons progressed.

Mom was not a fan of winter in Ohio though, especially after Christmas. I like to think it was just too hard of a wait for her spirit and need to be among all things green and growing.

Mom passed away on a Friday just at the end of March. Spring was just barely getting a foothold. A couple weeks later, when spring went into full motion across the Ohio fields, gardens and woodlands, it was the most beautiful of Ohio springs I can remember. It was mom.

The songbirds loved her garden too, and mom loved songbirds. I remember when I was just six or seven and how mom shared her excitement with me over the pair of Cardinals (her favorite) who had built a nest in the tree just outside the laundry room window. Each day she take me to the window to check on the progress, of first eggs and then baby Cardinals, and then leaving the nest.

Before I was ten I could tell the difference between a House and Carolina Wren and could pick-out the call of Robin, Mourning Dove, Blue Jay, Starling, Sparrow, Finch and a variety of woodpeckers. And should an owl make an appearance – such as a giant Great Horned – well that was something to truly celebrate.

This image is much more than just sky and trees. It’s more than the technical specs of the camera and lens (if you must know it’s a Canon 1D Mark III with a Canon 17-35mm f2.8 lens). It goes deeper than its composition and color. This photograph is of love.

Photography is a visual connection to the stories that interweave our spirits and give representation to that eternal grace of soul feeling. When that visual connection is so deeply rooted in the love that binds family, then every image becomes cherished in the gallery of the heart.

Spring came beautiful in 2015 and it wasn’t long before evening fall during summer in mom’s garden was full of fireflies and the songs of cricket and Katydid.

The love we leave behind will always take root in the gardens we tend to during our brief journey together. With care we tend the soil and cultivate our heart songs, for in another spring a mother will take her young son to the window and look wide-eyed at the Cardinal’s eggs in the nest in the tree outside, and above a brilliant spring sky will swirl with clouds and Red Bud trees. And the call of a lone Mourning Dove will come on a morning breeze.

Ethics and Value in Nature Photography

Early morning in May 2010 at Ash Cave in Hocking Hills Ohio by Jim Crotty

 

“I wanted to find out from you a few things. What kinds of situations have you run across that brings this to mind? Have you conducted photography lessons and made sure the students are aware of possible ethics? What are your thoughts?”

Well once I get started on such a great subject I can’t just simply provide a couple of brief example and answers. This is one topic which I feel the urge to elaborate. One, because it’s so timely, and two, because photography has been my passion for quite some time now, long enough to notice and experience trends, developments and impact the medium has had on society.

Ethical conduct in nature photography should be a priority. I’d venture to say so much so that one should establish personal, ethical guidelines long before advancing to the latest and greatest DSLR camera, those big lenses and all those ninja-like software editing techniques. Ethical conduct in any art medium and line of work first must have a foundation of kindness, fairness and respect for the sanctity of subject and environment. Yes, that’s something that’s honed upon and learned over years of experience but there’s the simple fact that part of such a foundation is rooted in personality and upbringing.

The vast majority of people are decent human beings who make an occasional mistake of bad judgment, true, but there is that small minority who will go after what they want no matter what the possibility of negative impact it will have upon others, other life we share this planet with and the environment. They’re capable of justifying anything and everything they do. Nothing I can write and share will encourage a change in their behavior.

This response and article is not for them or about them. My thoughts are directed toward the large majority who already have a sound moral compass and just need a few reminders of what not to do when in the field, involved and pursuing that wonderfully rewarding medium of expression known as nature and landscape photography.

The allure of capturing that one image that garners the most “likes,” lead to that book cover and result in that 1st place award at the camera club can be intoxicating, can’t it? It always has been but what has truly amped-up the enticement of this kind of competitive notoriety is the explosive growth and impact of online social media. It’s caused nearly all photographers to drift into the realm of the quick fix of online fame. It’s worth mentioning here because I think it does have a great deal to do with the importance of ethical conduct in this particular artistic medium. It’s served as “added fuel,” so to say, to forces at work that can push good, decent people over that borderline and away from what is right toward not-so-good behavior. Our collective ethical conduct has been watered-down by the gods of the internet and everyone aiming to be that rock star photographer.

By my very nature and the nature of my work I am an observer; a student of cause and effect within the environment. With my work it has to do with light, subject and setting. I tend to apply this same studious approach toward people. I look for the root cause. I believe strongly that the insta-fame of social media is what is driving a lot of questionable behavior of nature photographers these days. Herein lies the source of my examples. And I will add this – I am not been immune to it, that pull and temptation.

The situations that come to mind most often pertain to wildlife subjects but I’ve observed it in landscape photography as well. I’ve seen Black Bear cubs harassed up trees in Great Smoky Mountain National Park and raptors baited with store-bought mice. I’ve seen crowds of photographers fighting and clamoring for the same scenic vantage point. If seen photographers put themselves and others in danger in stopping along roadsides with traffic flying by, inches away (ok I’m kind of guilty of that one). Gardens have been trampled over, subjects posed on active railroad tracks and garbage and domestic animals brought out on trails where both are clearly prohibited. I’ve also seen bird nesting sites destroyed and alligators approached with nothing more than camera phones. In general, just a lot that leaves me walking away and shaking my head.

It would be easy to list simple tips on what not to do when actively engaged in nature and landscape image-making. There are the obvious – don’t unroot plants, don’t harass animals to the point of stress or abandoning territory, don’t trample through protected areas, etc. I think the better way to offer helpful suggestions is simply adapting an “approach of honor and respect,” which must first be grounded in solid, positive self-image, and then applying that approach into what I consider the five key areas of consideration within the medium and pursuit of nature photography – subject, setting/location, audience/viewer, fellow photographers and finally, the resulting photograph.

1) Subject: I briefly touched on this earlier but it is important to go into more detail here. Honoring the subject, with respect and appreciation, is absolutely essential. Whether animal, plant or landscape. The sanctity of the living space and life of the subject should always be maintained and not sacrificed in the name of the “good shot.” Besides when an animal is scared and stressed it will show in the resulting image. Here’s the true value of a good telephoto lens when it comes to wildlife photography, other than the obvious amazing optics. For birds and other wildlife I recommend at least a 300mm telephoto lens. The zoom lenses that come with DSLR cameras offer some telephoto capabilities – usually up to 200 or 250mm – but it really is not enough to fill the frame with your subject while maintaining a safe distance, unless with a very tame animal. Be a brief visitor and not an intruder. Go quietly and gently toward subject. Understand its behavior. Invest the time needed to observe before photographing.

2) Setting/Location: The natural setting could be just down the road at a nearby metro park or somewhere in the vast beauty of a National Park. Regardless here too I recommend slowing down and spending time to be quiet and observant rather than rushing onto a location, shooting away and moving on to the next spot. The rush will show in your images. I always find it more productive to spend time within a particular area, allowing the images to come to you, versus chasing one often photographed scene after another. There is so much more to be explored when being patient with a scene and allowing the light to change and unfold before you. Time and time again I’v witnessed groups of photographers constraining themselves with time and schedule limitations, rushing their image making and then returning with average photographs at best. Respect the process and the location well enough to let it bring the photograph to you. Established trails (and operating hours) are there to protect flora and prevent ground damage. Be careful with tripods because often legs are spread out to where they could possibly harm other plant life.

3) Audience/Viewer: Ansel Adams once said “there are two people in every picture: the photographer and the viewer.” And he was referring to landscape photographs in response to a critic who complained about the absence of human subjects in his images! By way of the photographer approaching his or her subject with honor and respect the image also communicates honor and respect for the viewer. There is a dynamic of visual storytelling taking place that should not be taken for granted or glossed over. That dynamic should be positive-amplifying. If you should have the opportunity to listen to any one of the top pro nature photographers in the industry, such as Art Wolfe, you will leave with strong sense of his appreciation for both his subjects and you, a member of his audience. The best artists know to honor this dynamic – this “conversation” – between artist, subject and audience.

4) Fellow Photographers: Now this gets a bit more nitty gritty because I’ve noticed a disturbing trend over the last 15 or so years with the advent of digital image making and DSLR cameras. Nature and wildlife photographers are poaching the heck out of each other and are becoming entirely too focused (no pun intended :)) on outdoing each other, to the point of feigning online friendship for the sole purpose of gleaning information on locations, techniques, inside tips, etc. Yes, it’s good to be friendly and helpful but when one is continuously “pumped for info” it becomes easy to see the difference between honest connection and community and just being used for information, and then seeing one of your images duplicated. It might just be me but it just brings a negative energy into the medium that takes away from what makes an excellent landscape image so special in the first place. It detracts from the intimacy. Respect the work of your fellow photographers. Respect each other when photographing together or at the same location. Develop your own eye and approach and have enough confidence in your unique way of image making that you don’t feel the need to constantly imitate others. Yes, it’s good to learn and be inspired, but then apply it to your own unique vision.

5) The Photograph – Honor it. Always. Artists always have a tendency toward devaluation and trust me, there are many people who know how to profit from that type of self-devaluation. I know. All too well. The photograph is the culmination of our work and if you’ve been at it as long as I have you have less and less tolerance for those who want to assign value based on their own intentions toward profit down the road. How does this apply to nature and landscape photography and ethical conduct? Easy. Honor and respecting the final image will always increase its value because by doing so you communicate honor and respect for yourself and your subject. People react to that kind of energy. By appropriately valuing that photograph of a Ruby-throated Hummingbird in beautiful morning light you are also maintaining respect for that species and its environment. Always carefully manage your copyrights and usage of your images.

Anyone involved in the artistic endeavor of nature and wildlife photograph should understand his or her role as a steward in the protection of the subject, the medium and the relationship between artist and audience. Honoring and respecting the sacredness of stewardship in the art and craft of photography will help ensure the variety and vitality of beautiful and inspiring subjects for generations to come and the amazing stories to be shared long after all the “likes” are done and the awards forgotten.

As we approach and capture the essence of our subjects – with honor and grace – so we accept and respect the honor and grace in each of us. Let no one detract.

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